All James Jacques Joseph Tissot Oil Paintings

(15 October 1836 -- 8 August 1902) was a French painter. Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.
 

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James Jacques Joseph Tissot Inner Voices oil painting


Inner Voices
Måleriet Identifieringen ::  68444
Inner Voices
1885 Oil on canvas 214 x 124 cm
   
   
     

James Jacques Joseph Tissot A Woman of Ambition oil painting


A Woman of Ambition
Måleriet Identifieringen ::  73146
A Woman of Ambition
Date 1883-85 Medium Oil on canvas Dimensions English: 142.24 x 101.6 cm cyf
   
   
     

James Jacques Joseph Tissot Kathleen Newton In An Armchair oil painting


Kathleen Newton In An Armchair
Måleriet Identifieringen ::  73221
Kathleen Newton In An Armchair
Date 1878(1878) Medium Oil on panel Dimensions English: 30.5 x 43.2 cm
   
   
     

James Jacques Joseph Tissot Hide and Seek oil painting


Hide and Seek
Måleriet Identifieringen ::  81898
Hide and Seek
1877(1877) Medium Oil on wood Dimensions 73.4 x 53.9 cm (28.9 x 21.2 in) cyf
   
   
     

James Jacques Joseph Tissot Hide and Seek oil painting


Hide and Seek
Måleriet Identifieringen ::  85027
Hide and Seek
1877(1877) Medium Oil on panel cyf
   
   
     

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     James Jacques Joseph Tissot
     (15 October 1836 -- 8 August 1902) was a French painter. Tissot was born at Nantes. He studied at the École des Beaux-Arts in Paris under Ingres, Flandrin and Lamothe, and exhibited in the Paris Salon for the first time at the age of twenty-three. In 1861 he showed The Meeting of Faust and Marguerite, which was purchased by the state for the Luxembourg Gallery. His first characteristic period made him a painter of the charms of women. Demi-mondaine would be more accurate as a description of the series of studies which he called La Femme a Paris.

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